THE SELF
Tell me who you are.
composing your portrait...
A portrait of you
Who were you then?
Who are you now?
WTF IS THIS?

This is not a personality test. Personality tests promise to tell you who you are. This piece does the opposite.

You will answer a series of questions. An AI will synthesize your responses into a portrait—a paragraph or two that attempts to capture something about you based on what you select.

But here's the thing: if you answered these questions again right now, your answers would likely differ. Not because you would be lying. Not because you're confused. But because the self is not a fixed point. It's a moving target.

The questions are designed to probe dimensions of identity that shift based on mood, context, and framing. Every option is valid. There are no "correct" responses. The act of choosing is not diagnostic—it is performative. You won't be revealing who you are. You will be deciding, in that moment, which version of yourself to present.

The portrait isn't meant to be definitive. It's a snapshot of a river—accurate at the moment of capture and already obsolete.

Who will you be when you answer? Who are you now, reading this?

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CATALOG ESSAY

The Self intervenes in the gap between the lived reality of constant change and the cultural demand for stable identity.

"Know thyself," the ancient Greeks inscribed at Delphi. Yet neuroscience reveals that consciousness is not a unified observer but a collection of competing processes. Social psychology demonstrates that identity shifts based on context. Even memory—the foundation of autobiographical identity—is notoriously unreliable, constantly rewritten by present concerns.

And yet we persist in treating the self as if it were stable. We write résumés that present coherent career narratives. We maintain social media profiles that project consistent personalities. We speak of "finding ourselves" as if the self were a lost object waiting to be discovered rather than an ongoing construction.

The piece uses the assessment form to undermine its own authority. The questions are designed to be answerable in multiple valid ways. Every option reflects a genuine mode of being. The system does not tell you who you are. It shows you that you are multiple, contradictory, and shifting—even within the time it takes to answer a few questions.

The AI holds contradiction without resolving it. Where humans seek coherence, the system preserves divergence. The portraits are not summaries. They are mirrors held up to patterns you may not have noticed—or may not want to see.

The self is not a thing you have. It is a thing you do—moment by moment, answer by answer, context by context.

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ARTIST'S STATEMENT

Identity is not a photograph. It is a river.

We speak of "knowing ourselves" as if the self were a stable object we could study and comprehend. We build elaborate models—personality types, brand identities, biographical narratives—to convince ourselves and others that we are consistent, legible, fixed.

But you are not the same person who began reading this sentence.

This piece does not tell you who you are. It shows you that you are multiple, contradictory, and shifting. The questions are designed not to reveal truth but to create friction. Every answer reflects something real. The choices you make are simply choices made at a particular moment, under particular conditions, in a particular mood.

If there is a thesis, it is this: the self is not a thing you have. It is a thing you do—moment by moment, answer by answer, context by context. And the moment you try to fix it in place, it has already moved.

In an era of personal branding, algorithmic profiling, and surveillance capitalism—all of which demand we present as legible, consistent, optimizable subjects—this piece suggests that the most honest thing we can say about identity is that it resists capture.

You cannot be summed up. You cannot be frozen. The moment you define yourself, you have already changed.

— Aaron Vick, 2025

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